1.13.2011

An Incident at Hollister: Facts, Fiction and the Birth of the American Outlaw Biker Culture.

Downtown Hollister, CA.


History of the AMA
In 1903 the New York Motorcycle Club formed The Federation of American Motorcyclists (FAM),
stating that: "Its objects shall be to encourage the use of motorcycles and to promote the general
interests of motorcycling; to ascertain, defend and protect the rights of motorcyclists; to facilitate
touring; to assist in the good roads movement; and to advise and assist in the regulation of motorcycle
racing and other competition in which motorcycles engage."

For the next 16 years the FAM developed competition rules and rider classifications, and attempted to
resolve restrictive motorcycle ordinances in cities like Chicago and Tacoma, Washington, but World War
I drained potential members and the organization went out of business in 1919. In the mean time
several trade associations also developed among American motorcycle manufacturers, specifically the
Motorcycle and Allied Trades Association (M&ATA) which was founded in 1908. When failing
membership rolls eventually ended the FAM, the M&ATA began registering clubs and supporting
motorcycle activities. In 1919 it began a rider registration and by 1920 was supporting annual "Gypsy
Tours", gatherings in individual states where motorcycle riders would meet to compete in flat track
races, hill climbs, obstacle courses and other events. In May 1924 the directors of the M&ATA
proposed to create the "American Motorcycle Association" to control the rider's registration and
activities, issue sanctions for national events, and serve motorcycle industry members. The first
national event operated under an AMA sanction was most likely the second annual National Six Days
Trial, a 1,400-mile endurance run that started and finished in Cleveland.

By 1925, 212 individual Gypsy Tours were held but like nearly all organized motorcycle events they
were suspended during World War II: when the war ended in 1945 America found itself with an
abundance of surplus motorcycles and plenty of restless young men straight from the battlefields,
trying to find a place in a now unfamiliar society.



According to The Outlaw Biker by Digits:
"The post war supply of cheap motorcycles not only presented the restless men an avenue for their youthful energy, the rough and powerful ride from the Harley Davidson or Indian motorcycles of the day gave that edge to life these men had known in war but was hard to find in suburban America. Many chose the life of the road with like minded individuals who liked to ride hard and party harder rather than settle in the routine of a nine to five job, mortgages and the stresses of raising a family. Just as the man either side of them in war was closer than any brother, their fellow riders became family. Since these were men that were used to serving under a symbol, wearing patches of who they were and what they represented, it wasn’t long before the different groups became more organized and gave themselves an identity, something surely lacking for many. Two of the first such organizations were the Pissed Off Bastards and the Booze Fighters."

The AMA was quick to recognize these groups and designated them as "Outlaw Motorcycle Clubs" to signify that they didn’t adhere to its standards, blocking them from competing in their events. The official AMA website states that:
"...Through the 1950s, though, a small segment of outlaw motorcyclists began to give the Gypsy Tours a bad name. In 1957, the AMA changed direction and gave these events a new identity, along with a new name--AMA Tours."

In fact that "bad name" started in 1947, specifically in the small town of Hollister in California's San Benito county.

The Hollister "Riot"

In 1947 the AMA scheduled a California Gypsy Tour for the 4th of July weekend in Hollister, California, an otherwise quiet farming town of about 4,500. The gently rolling farmland surrounding the community was well-suited to motorcycle riding; there were facilities for scrambles, hillclimbs and dirt-track racing at Bolado Park (about 10 miles away) and at Memorial Park, on the outskirts of town.
Hollister had previously been the site of popular AMA races and as attendances grew they "became as important to Hollister as the livestock fair or the rodeo."
But this year was different. Along with the Salinas Ramblers MC and the Hollister Veterans Memorial Park Association the AMA had arranged a $1,200 purse for their flattrack race, the equivalent of a small fortune at the time. Beginning Friday morning thousands of motorcyclists poured into town, coming down from San Francisco, up from L.A. and San Diego and from as far away as Florida and Connecticut.

By Saturday the event was estimated to have brought in as many as 3,000 bikers, and San Benito Street was choked with motorcycles. "Eager to prevent the locals from straying into the crowd", the seven-man Hollister Police Department set up road blocks at either end of the main street but no one was prepared for that kind of turnout.



According to Jim Cameron of Boozefighters MC:

"... back then, the AMA organized these 'Gypsy Tours'. One was going up to Hollister on the
Independence Day weekend. That sounded good, so a bunch of us decided to ride up there. We left
L.A. Thursday night, and rode through the night. I think my Scout only went about 55 miles an hour, so it took quite a while. I think we rode until we were exhausted, and stopped to sleep for a few hours in King City. It was about 6 a.m. when I woke up. It was pretty cold, and when the liquor store opened, I bought a bottle, which I drank to try to get warm. Then I rode on in Hollister.

 
"It was about 8:30 a.m. on Friday morning when I arrived there. I was riding up the street, and I see
this guy, another Boozefighter come out of a bar, and he yells 'Come on in!'. So I rode my bike right
into the bar. The owner was there, and he didn't seem to mind at all. He could see I was already pretty
drunk, so he wanted to take my keys; he didn't think I should go riding in my condition. The Indian
didn't need a key to start it, but I left it there in the bar the whole weekend. I don't think there were
more than maybe 7 of us from the L.A. Boozefighters there. There were some guys from the 'Frisco
Boozefighters, too. One of our guys had a '36 Cadillac. He used that to tow up our trailer. We had a
trailer with maybe fifteen or sixteen bunks in it; stacked three high on both sides. Basically, we'd drink
and party until we crapped out, then we'd go in there and sleep it off."

 
"They claimed there were about 3,000 guys there. I think most of them went out to the dirt track races
outside of town, but we didn't. We were having fun right there. The street was lined with motorcycles,
and the cops had blocked it off. Basically, guys were just showing off; drag racing, doing power circles, seeing how many people they could put on one bike, and we were just watching and laughing."

 
"...there were a couple of cops there, but they were playing it cool. Basically, they didn't arrest
anybody unless they did something to deserve it. The one Boozefighter I can think of that got arrested
was a 'Frisco guy. Some of them had come down in a Model T Ford. It was overheating, and while they were driving down the street, he was trying to piss into the radiator. Anyway, they arrested him, and Wino Willie went down to try to get him out; he was pretty drunk at the time, so they arrested him, too. But they let them both out after a few hours. Around Saturday night I started to sober up. After all, I had to ride home on Sunday. I guess I, got my bike out of the bar and headed home at about 4 p.m. on Sunday. It definitely wasn't as big a deal as the papers made it out to be." 

 
By Thursday all the camping areas and boarding houses were packed, and bikers were forced to sleep on sidewalks and in the parks. By most accounts the "trouble" started on Saturday night when the AMA sponsored dinner and dance was full: the majority were turned away at the door so the crowd headed for San Benito St. where all the bars and restaurants were already overwhelmed.
Still, the crowd was pretty much under control. Marylou Williams and her husband owned a drug store on Hollister's main street:

"My husband and I owned the Hollister Pharmacy, which was right next door to Johnny's Bar, on Main Street. We went upstairs in the Elks Building, to watch the goings-on in the street. I remember that the sidewalks were so crowded that we had to squeeze right along the wall of the building. Up on the second floor of the Elks Building, they had some small balconies. They were too small to step out onto, but you could lean out and get a good view of the street. I brought my kids along; I had two daughters. They were about 8 and 4 at the time. It never occurred to me to be worried about their safety. We saw them riding up and down the street, but that was about all; when the rodeo was in town, the cowboys were as bad."  


At first the bars welcomed the bikers with open arms, but the police requested they close two hours
earlier than normal. There was a half-hearted attempt to comply with orders to stop serving beer, on the theory that the bikers probably couldn't afford hard liquor. But the party had begun- most of the bikers ignored the sanctioned races going on at Memorial Park, electing to hold their own drunken drags, wheelie and burnout displays and impromptu relay races right on the main street.


In the midst of a "riot" police struggle to gain control. Of one guy. Note the lack of carnage.


On Sunday however things escalated as a troop of California Highway Patrol officers arrived in a blatant show of force, threatening the now exhausted and hungover crowds with tear gas. It's generally assumed that the local police had simply called them in for backup in case the crowds took too long to disperse, but suddenly the festivities took a much darker overtone. Nonetheless, the bikers scattered without any serious confrontation- nursing some hangovers and returning to their jobs. But the fallout was just beginning.

Generally this was a remarkable event, but as much for what didn't happen as for the party itself. In total, 50-60 bikers were treated for injuries at the local hospital, including the injuries from sanctioned events such as dirttrack races and hillclimbs which were grueling enough. About the same number were arrested and charged with misdemeanors: public drunkenness, disorderly conduct, and reckless driving.

Most were held for only a few hours. No one was killed or raped; there was no notable destruction of property, no arson or looting; in fact no locals suffered any harm at all and the town itself reaped a huge economic boon.


So how did a seemingly controlled (albeit larger than expected) event suddenly find itself thrust into the living rooms of mainstream America billed as an uncontrolled riot?
 

The Aftermath




The local Hollister newspaper The Free Lance naturally published the first reports on the weekend starting
with a fairly mundane column reporting "49 arrests netting $2000 in fines" alongside a larger column
reporting on the outcomes of the races themselves. But as word of the event spread they began
fielding telephone calls from newspapers all across the country and by Monday they had changed their
tune and were reporting on "The Battle of Hollister". Shit really hit the fan when a San Francisco
Chronicle reporter, C.I. Dourghty picked up on the story and travelled down with photographer Barney
Peterson in tow. Finding little in the way of a real story, they began staging photographs. While they
didn't actually lie, the forthcoming stories carried sensational headlines like "Havoc in Hollister", and
"Riots... Cyclists Take Over Town". The AMA's public-relations nightmare got even worse two weeks
later when the July 21, 1947, issue of Life magazine ran a full page copy of Peterson's staged drunkard
swaying atop a Harley with a beer in each hand, over the headline “Cyclists’ Holiday, He and friends
terrorize a town,” and the following caption:


"On the Fourth of July weekend 4,000 members of a motorcycle club roared into Hollister, California, for a three-day convention. They quickly tired of ordinary motorcycle thrills and turned to more exciting stunts. Racing their vehicles down the main street and through traffic lights, they rammed into restaurants and bars, breaking furniture and mirrors. Some rested by the curb. Others hardly paused. Police arrested many for drunkenness and indecent exposure but could not restore order. Finally, after two days, the cyclists left with a brazen explanation. “We like to show off. It’s just a lot of fun.” But Hollister’s police chief took a different view. Wailed he, “It’s just one hell of a mess.”

When the media and consequently the American public reacted to the sensationalist side of the story,the AMA allegedly tried to distance itself by claiming  that:
"The trouble was caused by the one percent deviant that tarnishes the public image of both motorcycles and motorcyclists "*
It is perhaps relevant to note here that of the estimated 3,000-plus bikers that showed up, by some accounts only about 10 - 20% were AMA registered riders: blaming only 1% of the crowd could in itself be considered a testimony to the relative lack of trouble over the weekend.
But those who had been branded as outlaws weren't exactly interested in begging for sympathy or understanding; the guys who had actually been there weren't buying into the media hype, they had no patience for the bullshit that subsequently got tossed around, and the AMA statement came down not as an insult but as a badge of honor.

The Boozefighters MC, Market Street Commandos MC and Pissed Off Bastards of Bloomington MC had already borne the brunt of the AMA's wrath for years, and according to an interview with Wino Willie Forkner, Boozefighters responded by simply developing an offshoot club (the Yellowjackets MC) which got a separate AMA sanction for racing (Boozefighters MC claims to have never been a 1% club). The POBOB on the other hand reportedly developed a split, with Otto Friedli leaving in 1948 to form his own club in Fontana, CA., known as the Hell's Angels. (in 1954 the Market Street Commandos merged with the Fontana club, founding the San Francisco chapter of Hell's Angels MC.)

There is some dispute about the actual origins of the club: Friedli himself later became a fundamentalist Christian and denied that he started the Hell's Angels, and much of what's been written about the founding is third or fourth hand accounts or simply crap pieced together by various "legal experts" pushing their own agendas: but in his book Hell's Angel: The Life and Times of Sonny Barger and the  Hell's Angels Motorcycle Club Sonny Barger quotes Vic Bettencourt, who seems to back up Wino Willie's version:

"... the first Hell’s Angels motorcycle club was formed around 1948 in Berdoo, an off-shoot from a renegade group called the Pissed Off Bastards out of Fontana, California. It was right after the Hollister incident. WWII vets from Berdoo—who belonged to the Pissed Off Bastards—used to roar by on their bikes. People would look up and say, “There goes one of those Hell’s Angels.”

Regardless of the specifics of their origins, the Hell's Angels MC were most likely one of the first clubs
to adopt the 1% diamond patch in 1948 or 1949.

Today the patch is an universal symbol of the "outlaw" biker: people to whom the motorcycle and the
unique brotherhood -associated with a lifestyle outside of the normal boundaries of society- mean much
more than an occasional dirt track meet or Sunday ride.




* The AMA has often denied issuing this statement. To be fair, there do not seem to be any recorded instances of it detailing the speaker or the exact date and time of the press conference where it was allegedly uttered, however the author also finds it unlikely that such a statement should be fabricated considering that at the time most of the "outlaws" involved were actively seeking rights to compete in AMA sponsored events.



References:

The real "Wild Ones' The 1947 Hollister Motorcycle Riot
The Outlaw Biker by Digits
The History Of The AMA
Cycle Guide Magazine: The Hollister Invasion: The Shot Seen 'Round The World
The 'One-Percenters' by Jordan Smith
History of the Boozefighters MC
The History of the Hells Angels: 60 Years of Raising Hell The Myriad Mysteries, Legends and Attitudes Toward the Outlaw Motorcyclists by Greg Brian
Hell's Angel: The Life and Times of Sonny Barger and the Hell's Angels Motorcycle Club; Harper Paperbacks (October 2, 2001)

1.11.2011

An (un)Holy Trinity of Custom Culture: Von Dutch, Ed Roth and Indian Larry- Part 3



Part 3: "Indian" Larry Desmedt (April 28, 1949 – August 30, 2004)

Born Lawrence Desmedt in Cornwall-on-Hudson near West Point, New York, Larry grew up in a rural community. His father was a maintenance supervisor at West Point Academy: by some accounts he was authoritarian and prone to violence. Not surprisingly Larry rebelled with a vengeance: by 18 he reportedly had 35 arrests ranging from his home state of New York to Oklahoma and California.
According to an interview in Rolling Stone Magazine his first bike was a 1939 Harley Knucklehead he bought for $200. Within hours he had taken it apart; it took him nine months to put it back together.
Larry hung out with a rough crowd and was continually finding himself on the wrong side of the law:  he got involved with drugs, armed robberies and hijacking trucks, and at one point led a car chase through several states pursued by a police helicopter. Arrested some 35 times he built up rap sheets in Oklahoma, California, New Jersey and New York. 



According to Larry, he met Roth in the 60's after moving to the West Coast with his sister Diane: 


"I went to California as a starry eyed kid to try to work with him. But unfortunately he told me "you have no California experience kid!" So he sent me off to work for a great car painter by the name of Larry Watson. I did prep and primer work for Larry and then finally returned to NY still in pursuit of my dream! But the influence of Ed Roth still stuck with me because Big Daddy was the type who did not worry about what others thought he just built what he liked and that is exactly what I do."



Daddy O - Ed Roth Tribute Chopper



Larry immersed himself in the California hot rod culture, working for various builders and painters but at the same time he was developing drug addictions which would haunt him for years. In 1971 Diane was murdered, and Larry returned to New York with her body. The tragedy drove him deeper into drug abuse, and returning to –or by some accounts continuing- the old lifestyle he began robbing local stores in order to support his habit. In 1973 he attempted a bank robbery but an accomplice had tipped the police beforehand: Larry came out of the bank with a shotgun in one hand and a bag of money in the other and two cops opened fire on him. After a brief recovery from a gunshot wound, he was sent up for 3 years in New York's Sing Sing State Prison. While doing time he read assiduously, earning a GED and eventually even pursuing some college-level studies: he maintained a reading regimen throughout his life.



Released on parole in 1976, Larry moved to Manhattan and began making a name for himself at various custom shops as well as the New York art world, befriending photographers Robert Mapplethorpe and Andy Warhol. Through the remainder '70s and '80s he frequently did modeling gigs and stunt work for Hollywood. During this time he was riding a chopped Indian motorcycle and picked up the moniker Indian Larry, but he still battled on and off with his addiction. In this new guise he cultivated a growing number of fans, perhaps building on Roth's attitude that fame meant business, and business facilitated art.




Mr. Tiki's Shop Droppings
The extended front end "chopper" movement which prevailed through the '60s wasn't his style, and he stuck with an old school approach with a preference towards customized rigid frames, low slung seats, apehanger bars and panhead / shovelhead engines. But pulling from Roth, his paint jobs still tended towards flash: candy and metalflake abound, along with heavy tank and primary graphics. He also developed the art of custom sculpted frames, applying blacksmithing techniques to the steel.  In 1991 he finally opened his own shop, Gasoline Alley in Brooklyn. He landed the cover of the February ’98 edition of Easyriders Magazine and in September ’98 they ran a full color feature on the Grease Monkey, a that bike would go on to win the editor’s choice award at the Easyriders Invitational Bike show. He had finally made it.

Grease Monkey

 In 2003 the Discovery Channel recruited him for a show called Motorcycle Mania II where he performed his Crucifix stunt, which was an instant hit. Riding on the success of Motorcycle Mania and other custom bike related reality shows, the channel began the Great Biker Build-off series, featuring two different builders with opposing styles in a timed competition after which they would ride the bikes across the country to a staged event where participants could vote on the winning design. For their third episode Indian Larry was chosen to go up against Paul Yaffe: Larry won the competition and the popular series cemented his place in the top of the custom bike world.



Wild Child


The next episode featured Larry paired against Billy Lane of Choppers, Inc of Melbourne, Florida. Larry again won the competition by a narrow margin:  In true form he took the microphone and said, “There are no winners, there are no losers!” and proceeded to dismantle the trophy, giving part to Lane and autographing other pieces which he handed out to the crowd. 


Chain of Mystery


A third episode was filmed in August 2004 featuring Larry against Mondo Pouras of Las Vegas. Larry built The Chain of Mystery for the show, featuring a custom frame created from welded steel chain. Larry and Mondo rode from NYC to the Liquid Steel show in Charlotte, NC. On Saturday August 28, 2004  he was performing stunts in front of a crowd of some 8000 fans: after riding through a ring of fire on his bike, he got on the Grease Monkey for his signature Crucifixion stunt. Notably there was no throttle lock on that particular bike, which he must have known would cause a rapid deceleration once he released the bars: he stood up on the seat and surfed the bike down the track but it quickly started to wobble and Larry was thrown. He jumped off before the bike fell over, but still struck his head; he was going too fast to hit the ground running. He was airlifted to the hospital and died on August 30 of head injuries.


It was not a particularly dangerous maneuver he performed on Saturday, Bambi Desmedt said. ''It was showing off, his way of blowing off steam after the bigger stunts,'' she added, ''winding down.''





Part I: Von Dutch
Part II: Ed Roth



References:
IndianLarry.com
Interview with Indian Larry
Indian Larry & Von Dutch -Photography by Timothy White & Barry Feinstein
Beyond Bikes by Eric Harris Pavony- Shop Block Party

12.21.2010

filler

Because snow has grounded European airmail to a fuzzy white bitchy halt the aforementioned article on Indian Larry is on a holding pattern in my brain pending integral reference materials. In the meantime we are pleased to present for your browsing enjoyment several more titillating photographs of motorcycles and young ladies in various stages of undress.
Thank you. Thank you very much.
Elvis has now left the building.





















12.11.2010

An (un)Holy Trinity of Custom Culture: Von Dutch, Ed Roth and Indian Larry- Part 2


Part 2: Ed "Big Daddy" Roth (March 4, 1932 – April 4, 2001)

By the time Ed Roth finished a four year Army stint in 1955 he had 5 sons, a few cars in various states of repair and a dead end job doing window dressings at Sears. The 23 year old Roth was already into the Los Angeles hot rod / custom culture, and following the popular design school of Von Dutch -who was at the height of his painting and striping career-  he started pin striping "anything with wheels" in his driveway after work to make ends meet. 

Roth had always shown a talent for mechanics, electrical stuff and, perhaps most importantly, art. Living in Maywood CA. -literally the geographic center of the '50s burgeoning "Kustom Kulture"- he was surrounded by the top names in the business: Von Dutch, Larry Watson, Tom Kelly and Bud "The Baron" Crozier were all parked in that general area. One of his first projects was a '48 Ford Sedan which he covered with striping, lettering and other advertising (including a scraggly paper-mache head and hands) to use as a "rolling billboard". It wasn't long before The Baron, Roth and Kelly got together to start their own shop, "Crazy Painters" in South Gate, CA. around 1957 doing stripes and flame jobs.
Around this time a local car club "the Drag Wagons" approached Ed to airbrush some T shirts. Instead of the usual club logo he did a caricature of each member on their shirt. According to Ed Fuller: "...a magazine photographer snapped a picture of one of the guys with his Model A rod, wearing Roth's shirt with a caricature of the same car. The magazine got "bombarded" with mail -about the shirt, not the article- which they forwarded to Roth. And he starts thinking it's a good idea, and starts painting shirts". Legend or not, the "weirdo" era was born.


Rat Fink
Of all the creatures conjured by Roth, Rat Fink was the most popular. The term itself got a lot of use in early '60s surf culture as "Rat Fucking" and according to Ed Fuller it was used around the shop to refer to the practical jokes the guys constantly pulled on each other. The more polite form is attributed to Steve Allen from his 50's comedy show.
Several accounts exist regarding the origins of the character: one claims he drew it on a bar napkin to illustrate what Mickey Mouse's dad looked like -he apparently held the Disney rodent in some contempt- another claims he first painted it on a shop refrigerator at Roth Studios after discovering some bad fish inside (although nobody from the studio's early days remembers it). In his 1980 autobiography Confessions of a Rat Fink: The Life and Times of Ed “Big Daddy” Roth, he holds to the napkin story and dates it in about 1960. It's possible that Robert Williams or Ed Newton came up with it;  but regardless it quickly became an icon of hot rod culture, first appearing in print in a July '63 issue of Car Craft Magazine.  The repulsive little character had personal significance to Roth.



“Whenever I looked at that drawing,I felt I was looking, for the first time, at reality—my reality. The world that my parents, teachers, and responsible type people all around me belonged to wasn’t my world. Why did I have to be like them, live like them?  I didn’t. And Rat Fink helped me realize that.”

"Rat Fink was the archetypal Roth monster. He was fat, hairy, homely, sweaty, and had bloodshot eyes and a twitch, yet is credited with selling the most Roth T-shirts". School kids loved them; mothers hated them. The freakish rat was a huge hit on the T shirts and decals, and is still reproduced today in enormous volumes of plastic.
Roth built a couple of animated fiberglass versions of Rat Fink mounted on miniature chassis, and a VW engine powered car called Peace Rat which supposedly resides in a New Zealand museum although there's little available documentation on it.

The Cars

"Little Jewel", 1958
Ed's first show car was Little Jewel, a 1930 Model A Tudor with an Olds V8 which he worked on from '55 to '58. Nobody seems to know who originally built it, but Roth scalloped the fenders and striped it, chromed the undercarriage and built a set of custom bulleted nerf bars that would later be a stock item in his shop.
Up to this point Roth was focusing mainly on paint, and doing little more than "tinkering" with the actual car designs and mechanics. In early 1959 he left Crazy Painters and started Roth Studios in his own garage at 4616 Slausen in Maywood. He had apparently been tossing the idea of building a hot rod from fiberglass around since his army days, and he pulled in Ed Fuller to help him build the first Outlaw. The design was inspired largely by Norm Grabowski's Kookie Kar, and the fiberglass idea wasn't exactly new (Corvettes were already in production and Fuller already had experience working with it), but the funky show car did exactly what Roth intended it to do: it attracted the right attention to his booth at the shows and took the magazine covers by storm. By some accounts he actually started the build in 1956,  but he first unveiled the machine as Excaliber (sic) in 1959 and it was still more or less a work in progress: it didn't take the Outlaw moniker until after a few upholstery and wheel changes. But in the words of Pat Ganahl: " ...the Kookie Kar (Grabowski's T-bucket) was wild, but it was still a conventional hot rod. About the only thing conventional on the Outlaw was the engine and drive line. The coil spring front suspension, four-bar radius rods, jet-age nose, quad headlights, fiberglass body and paint scheme were all extraordinary for a hot rod in 1959 or 1960".  

"The Outlaw", photo from early '60s

The Outlaw, however unconventional, was actually street legal and could be driven (although it seldom was). And by promotional standards it was pure gold: Revell picked up on the Outlaw in 1960 and went into production with a 1/25 scale plastic model kit. It was the start of a long and lucrative relationship between Roth and the toy companies, and it was Henry Blankfort -Vice President of Public Relations at Revell- who gave him the name "Big Daddy".

Beatnik Bandit, 1960


Until that point though, Roth was pretty much making his living off the catalog sales and magazine ads  for stuff like Weirdo T shirts, pin striping kits and custom parts; as mentioned previously, most people agree that the cars were basically promotional tools for that business. His next machine, the Beatnik Bandit, which came out in 1960 was almost purely that. With no pedals or steering wheel and a bizarre single joystick, the car relied on cabled remote control to start, rev, and open or close a bubble canopy that could only fit over a midget.  But drivable or not, it was another big hit.
"Mysterion", 1963

"Orbitron", 1964
In 1964 Roth released the Mysterion, his first multi engine machine.  It was followed in '64 by the Orbitron which featured a dash mounted TV, rotating primary colored lights on the nose and another bubble canopy, this one large enough to be functional. But the Orbitron had a covered engine and subsequently turned out as a disappointment to the crowds who came to gawk at big chrome coated power plants. Revell -his main supporter- took a pass on it. In his words "...When the Beatles appeared on the Ed Sullivan show all the model sales stopped. Kids were buying guitars instead of model cars".

"The “Orbitron” was a failure at the shows.  I believe it was because we covered that shiny chrome Chevy engine up with a hood.  It was a great lesson in design for me.  Never cover up the engine unless ya can serve a worthy purpose... I shoulda named it the Titanic because it was like trying to hold onto this giant sinking ship.  It turned out to be a mess. I sold that to some dude in Texas about 1969 and I hope it never surfaces again."

The Orbitron outside a Juarez sex shop in 2007
Ed sold the Orbitron in '67 for $750, and unlike his other machines it faded into obscurity: it passed through a few hands and apparently spent the early '70s in El Paso, Texas with a For Sale sign stuck on the bubble. After that it basically disappeared until 2007 when Michael Lightbourn rediscovered it rotting away (sans nose cone) in front of a sex shop in Juarez, Mexico. After a year of restoration the car was again released in October 2008. 
After the Orbitron failure, Roth came out with Surfite (1964) based on an Austin Mini Cooper; Road Agent (1965), a Joe Henning design with a Corvair rear engine; Rotar (1965) -a "hovercar" which featured twin Triumph 650 engines and high pressure props that created a cushion of air that "allowed it to propel itself on land and water", and The Druid Princess (1966).


"Surfite" 1964

"Rotar" '65

"Druid Princess" '66


"Road Agent" '65


"Tweedie Pie"
During this time Ed also owned and modified Tweedie Pie, a 1920 T-bucket built by Bob Johnston. Roth bought the car ‘in a basket’ and rebuilt it in 1962, adding a Corvette V-8 with six Stromberg 97 carburetors; a rolled and pleated Naugahyde interior, his signature nerf bars and chrome undercarriage  along with his own particular brand of pin striping. He sold it around '65, possibly to raise cash for the other builds. 

In 1976 Roth came out with Yellow Fang, his first and only entry into drag racing. In reality George "Bushmaster" Schreiber was working with Roth at the time and did most of the fabrication along with Tom Hanna: the body was aluminum rather than Ed's fiberglass and it had a 392 Chrysler power plant. 
According to Schreiber: 
"By the time I paid for the chassis, bought the rear end, axles, brakes, rear & front wheels and tires, a 392 block, fire suit and helmet, the $5000.00 was gone. After a show Ed had a small tool/nut & bolt room, about 6' x 6' with a short ceiling on it and he would throw his loose change on top of it every day. That night, the ceiling came down! I told him, "Man, there must be $5,000.00 worth of change there! Why don't you sponsor the dragster; we can put your name on it, that way I'll get paid some extra money and I can pay you back." He said, "That's a great idea".
The Steve Swaja-designed, Jim Davis-chassied Fang won several Top Eliminators and ran a best ever of 7.86 at 204 mph.

Ed took almost a 20 year hiatus from his "conventional" (a term difficult to apply to his work) cars and turned his focus to trikes, but in the late '80s he started L.A. Zoom as something of a comeback attempt. It was never completed: he was trying to mold carbon fiber and using a Honda four cylinder with electronic fuel injection, and by most accounts the technology simply defeated him.  Not to be defeated he built Beatnik Bandit II, which again never ran because of electrical difficulties. Revell did a model from it but it received little magazine coverage. His last car was Stealth 2000 in 1999, a Chevy Geo powered roadster that like the Orbitron quickly vanished into oblivion: Nobody seems to know much about it or where it went.


The Bikes

Roth said he first got into bikes in 1966 when he bought 5 used Harleys from a sheriff's auction, most of which got integrated into Oink, a more or less standard '60s style outlaw chopper. About 1967 Roth came out with a custom truck based on a late '50s Chevy pickup frame with a Buick V6, built exclusively for hauling a motorcycle. It was originally built to haul his Sportster but that wouldn't fit, so he traded it in for a custom Triumph chopper. The original name bounced between Captain Pepi's Motorcycle & Zeppelin Repair and Mega Cycle, and Ganahl simply calls it " The Bike Truck". It was a typical Roth design, but it more or less signified his switch from show cars to motorcycles. 


"Mega Cycle" '68




By now he had started Choppers magazine and Mega Cycle was featured on the cover in February 1968. But the magazine soon turned into a problem: again, according to legend "...Ed was going to bike meets and taking photos of personal rides for filler and in the process he started pissing off some of the local bike clubs who felt they weren't getting proper credit out of the deal". An unnamed Hell's Angel summed it up as: "Roth's getting rich and we ain't  getting any of it". A poorly worded Time Magazine article exacerbated the situation, leading into a literal 3 day shootout between the bike clubs and Roth, who holed up in his studio. Apparently the local cops had the score and got the hell out of the way, and it ended up in some kind of public Mano a mano smackdown  between Roth and the president of one of the offended bike clubs. Roth won (he was a Karate black belt and a pretty formidable guy in his own right) and that settled the bad blood, but he dropped the magazine.

"Candy Wagon"

"Mail Box" '67

His first acclaimed show trike was Candy Wagon, with an extended springer and a stock 45 cubic inch Harley flathead. This was followed by the California Cruiser in '66, a somewhat ungainly machine with an Olds V8 and fat drag tires. He went into production with a kit and by some accounts they were ridiculously fast, clocking up to 140 mph. In '67 he came out with Mail Box powered by a Crosley four cylinder engine.



"American Beetle" '68


Around '68 he started a series of VW powered trikes, including American Beetle ('68); Secret Weapon ('73); Great Speckled Bird ('76) and Globe Hopper ('87) -a three wheeled pseudo coupe that blurred the lines between the cars and trikes.
Rubber Ducky also came out in '76 but featured a Honda 600cc engine, and in 1985 Ed went back to big blocks with the Buick V6 power plant in Asphalt Angel. Ed released a video of the construction of  Asphalt Angel and apparently rode it from Los Angeles to the Street Rod Nationals in St.Paul, Minnesota, but they turned him away because it wasn't based on a car that was originally built before 1949.


"Asphalt Angel" '85
"Great Speckled Bird" '76



"Globehopper" '87








"Rubber Ducky"




















Any article on Roth can't be complete without a mention of  Mr. Gasser & the Weirdos , his 1960s novelty group which released a few bizarre surf rock albums and most notably 1963's Hot Rod Hootenanny. One Way Records released a 2CD-set (S22-18319) which contains the 3 LPs and the original artwork.



The full length 2006 documentary on Ed Roth, "Tales of the RatFink" is available free from the link below, click on the arrow next to "watch the entire film for free".



Roth died at age 69 on April 4, 2001, reportedly from a heart attack in his workshop at his Utah home.

Part I: Von Dutch
Part III: Indian Larry



References:
Ed "Big Daddy" Roth: His Life, Times, Cars and Art: Pat Ganahl, 2003: Car Tech Books
Orbitron Apocalypto: Or, How I Became a Death-Cheating Toad in Mexico and Broke the Ancient Aztec Alien Curse Put on My Family by Ed "Big Daddy" Roth's Lost Show Car